The film covers a period from the turn of the century up to the beginnings of the nationalist revolution a little over a decade later. Financial and political intrigue, religion, soul-searching and forbidden love all get a piece of a wildly ambitious narrative any filmmaker would struggle to do justice to in a scant one hundred minutes; Empire is Taiwanese director Christina Yao’s debut and for all her obvious devotion to the material (she also co-wrote the screenplay) her inexperience is painfully apparent.
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